"I think he would if he were free," said Mrs. Gereth. These were neither more nor less than the things with which she had had time to learn from Mrs. Gereth that Poynton overflowed. Poynton, in the south of England, was this lady's established, or rather her disestablished home, having recently passed into the possession of her son. The father of the boy, an only child, had died two years before, and in London, with his mother, Owen was occupying for May and June a house good-naturedly lent them by Colonel Gereth, their uncle and brother-in-law. His mother had laid her hand so engagingly on Fleda Vetch that in a very few days the girl knew it was possible they should suffer together in Cadogan Place almost as much as they had suffered together at Waterbath. The kind colonel's house was also an ordeal, but the two women, for the ensuing month, had at least the relief of their confessions. The great drawback of Mrs. Gereth's situation was that, thanks to the rare perfection of Poynton, she was condemned to wince wherever she turned. She had lived for a quarter of a century in such warm closeness with the beautiful that, as she frankly admitted, life had become for her a kind of fool's paradise. She couldn't leave her own house without peril of exposure. She didn't say it in so many words, but Fleda could see she held that there was nothing in England really to compare to Poynton. There were places much grander and richer, but there was no such complete work of art, nothing that would appeal so to those who were really informed. In putting such elements into her hand fortune had given her an inestimable chance; she knew how rarely well things had gone with her and that she had tasted a happiness altogether rare.!

"That and several other things." Fleda shook her head wearily. "No—I was only in love with him!"

CHAPTER VII "Everything?" Fleda quavered. She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful.